Exhibition review Exhibition review Visions of horror and joy ANGUS REID welcomes the retrospective of a unique photographic artist for its demonstration of new avenues in British art, and the human insight it delivers
Cartoon Arts | Thursday 28th Mar 2024 Cartoon Citizen Chicane overhears a conversation in intensive care
Film of the Week: Thursday 28th Mar 2024 Film of the Week: Trauma and aftermath MARIA DUARTE recommends a brutally honest drama which provides a fresh look at the lives of refugees
Follow the Movement with MATTHEW HAWKINS Wednesday 27th Mar 2024 Follow the Movement with MATTHEW HAWKINS What have we made? Effectiveness lies in how much we identify with protagonists akin to ourselves; how much we’re all in this together
Interview Wednesday 27th Mar 2024 Interview ‘An ability to marry flawless technique with passionate spontaneous creativity’ CHRIS SEARLE speaks to saxophonist and jazz historian Simon Spillett about Tubby Hayes, whose self-taught virtuosity was emblematic of the ’Swinging London’ of the 1960s
Book Review Tuesday 26th Mar 2024 Book Review On the road with Ron Jacobs JOHN GREEN finds an ideal travelling companion as he works his way from New England to Florida
Opinion Thursday 28th Mar 2024 Opinion The paradox of futurist dystopias SHEILA FITZPATRICK acknowledges the paradox that the Western vision of the Soviet Union was forged by writers who had no experience of it
Theatre Review Tuesday 26th Mar 2024 Theatre Review Gloriana’s midwife GORDON PARSONS is thrilled by the dramatisation of the relationship between a gay composer and his unmarried female assistant
Theatre Review Tuesday 26th Mar 2024 Theatre Review Death of a snake oil salesman PETER MASON applauds a pitch-perfect production of the late Brian Friel’s compelling study of gullability and disillusion
Music Friday 22nd Mar 2024 Music Jazz albums with Chris Searle: March 22, 2024 Reviews of Max Eastley/Terry Day/John Butcher, Trevor Tomkins' Sextant, and Caroline Kraabel and Pat Thomas
Theatre review Friday 22nd Mar 2024 Theatre review Gimme some truth SYLVIA HIKINS applauds a musical show that emphasises the growing difference in songwriting between Lennon and McCartney