CHRIS SEARLE recommends a work of love and deep admiration for a great musician
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Theatre: King Lear
In its depiction of societal and personal breakdown, a new production of King Lear by Sam Mendes speaks directly and uncomfortably to our own times, says GORDON PARSONS
KENNY MacASKILL relishes a fictionalised account of the life and death of the principled Irish anti-colonialist, executed for betraying his English imperial masters
FIONA O’CONNOR admires an ambitious first novel that loosens South Africa’s rainbow collective to examine the racial tensions within
Aussie mining corporation murder, Liverpudlian ex-cop amnesia, a naive vigilante tries to reset capitalism, and the riddle of the dead psychoanalyst
SYLVIA HIKINS is persuaded by an entertaining play that the true miracle of Lourdes would be for attitudes toward disability to change
JAMIE BRITTON recommends this fine analysis of the architectural, ecological and infrastructural destruction of the Gaza Strip
King Lear
National Theatre, London SE1
4 Stars
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JAN WOOLF is beguiled by the tempting notion that Freud psychoanalysed Hitler in a comedy that explores the vulnerability of a damaged individual
‘Honest’ Tom Wharton’s 1682 drunken rampage through St Mary’s church haunted his political career, but his satirical song Lillibullero helped topple Catholic James II during the Glorious Revolution, writes MAT COWARD
MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play