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French workers unbowed in their struggle for justice

The momentum behind a wave of strikes and protests over pension reforms shows no sight of abating, writes DENNIS BROE

TIME magazine named teen climate activist Greta Thunberg its person of the year last week, but in truth, given that this has been a year of global unrest and efforts from the streets worldwide to counter the effects of an ever more rapacious neoliberal capitalism, the real person of the year who epitomises this moment may be the French public worker, on strike now for over two weeks to save the French pension system. 

People’s movements in Algeria, Iran, Iraq, Lebanon, Chile, Colombia and Bolivia after the coup have all challenged their various governments and made local demands for equality, with the movements often springing from what seems almost negligible offences as workers in Chile took to the streets after a four cent increase in metro fares. 

In each case the momentary cause of the uprising was a last straw and brought on, as in Chile, by what has been seen as rewarding the rich while taking more money from those who can least afford it. 

In France after a day of protest that saw by one estimate over one million people in the streets across the country, the government responded the next day by presenting a pension “reform” plan that was worse than anyone expected. 

The plan would raise the retirement limit from 62 to 64 years and that was the red line for even the most employer-friendly union, the CFDT, which has supported previous “reforms.” 

The result so far has been two more days of protest and an ongoing transport strike, joined in some cases by air traffic controllers and hospital workers, that has brought together for the first time under Emmanuel Macron not only all of the unions, previously badly divided, but also all the parties of an equally fractured left, including the Greens, whose progressive faction is in control of the party and which won the most votes of any left party in the last elections, those for the European Parliament. 

The pension plan was dealt an equally devastating blow last week when Jean-Paul Delevoye, the author of last summer’s white paper which detailed the plan and the person pegged to be its chief architect as the plan is implemented, was forced to resign for not reporting that he was taking money from the insurance lobby at the time he was authoring the paper. 

This is important because the insurance companies see themselves as the new complement to a decreased pension system, offering annuities to pensioners no longer supported by the system. 

So Delevoye, a supposedly disinterested public servant, was employed at the time he was writing the pension reform by an industry whose primary interest was in demolishing it. 

Essentially, as often with the Macron government, this amounts to an effort to privatise this public system. 

Macron has already put in motion plans to sell off, or lease in what amounts to perpetuity, two of the state’s major money makers, the Paris airport lands and concessions and the government’s lotto or gaming franchise. 

Conditions in Paris and across the country are fraught, with more cars, bicycles, scooters and motorbikes on the streets and pavements and the few buses that are running overcrowded. 

But so far the mood is one of, as the newspaper Liberation described it, solidarity, with people putting up with the inconvenience and aware that the strikers are fighting for them and are literally fighting for their lives and those of their children. 

In France, in part because of the pension system, life expectancy is continuing to increase whereas in the US with a fading pension system it is declining. 

Also, for those over 65, only 5 per cent in France live at the poverty line or below as opposed to 20 per cent in the US.

Macron came to power proposing that France follow the example of Sweden, seen as a fiscally responsible country which is maintaining its social welfare programme. 

However, the number of Swedish retirees receiving additional state aid has doubled over the last 15 years of the implementation of this “reform” of the system. 

Neighbouring Germany also now has a more impoverished system, with workers on average receiving only 48 per cent of their wage in their pension, whereas in France the average is 67 per cent. 

Government officials claim the strike is not affecting the economy, with one government statistician stating that at even one of the peak period of French strikes, that of 1995, the economy declined by only two-tenths of 1 per cent. 

But in Paris, operas, ballets and theatres are cancelling and because of the increased cost of living in Paris and the other globalised cities, many of those who staff the jobs in the service industry, from restaurants to pools and gyms, come from outside the city and are affected by the strike as employers scramble to cover workers who are late or no-shows. 

A poll at the beginning of the strike, which since neither side is backing down most likely now will endure through the new year and possibly beyond, shows that 59 per cent of the French blame Macron for causing the strike rather than the workers for instigating it. 

The government is counting on the inconvenience wearing people down, but it is equally likely that, rather than being fed up with what is sometimes called an “entitled” working class, more people will join the cause. 

Ultimately, it’s possible that the value of solidarity and defending a social system for all won over more than a century-and-a-half of struggle will come to the fore and mark a resurgence in shared communal values in a France that Macron wanted to turn instead into a “start-up nation,” that is one where individual entrepreneurs are out only for themselves.

Dennis Broe lives in Paris. He is a cultural and political correspondent for Arts Express on the Pacifica Network, and for Arts District Radio in Paris. He was a professor of film and television at the Sorbonne, and is the author of Birth of the Binge: Serial TV and The End of Leisure; Film Noir, American Workers and Postwar Hollywood; Class, Crime and International Film Noir; and Maverick or How the West Was Lost.

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