PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
David MacLennan lost his short battle with Motor Neurone Disease last month.
Co-founder of 7:84 Theatre Company and Wildcat Productions, MacLennan was one of the founders of Glasgow’s MayFest and creator of the hugely popular “play, pie and a pint” format. He was in a new ascendancy with the National Theatre of Scotland (NToS), who commissioned him and David Greig to co-curate The Yes, No, Don’t Know, Show as a contribution to the independence debate in Scotland.
His death leaves a huge hole at the centre of Scottish theatre, particularly in its political and popular strands.
WILL STONE is frustrated by a performance that chooses to garble the lyrics and drown the songs in reverb
The EIS president who defended Marxist politics in the 1980s fought Thatcherite educational policies while organising Teachers for Peace rallies and ensuring Morning Star circulation in Scotland’s pit villages and factories, writes JOHN FOSTER
In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
BLANE SAVAGE recommends the display of nine previously unseen works by the Glaswegian artist, novelist and playwright


