PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
The Hollow of the Hand
PJ Harvey and Seamus Murphy
Royal Festival Hall, London SE1
4/5
Dominating the stage at the Royal Festival Hall is an extraordinary monochrome image of a ceiling hung with flames. Shot by photojournalist Seamus Murphy from the outside of a home in Kosovo, it is an image with eloquence, setting the tone for the evening ahead as the audience take their seats.
Launching The Hollow of the Hand, a publication of poems by renowned singer-songwriter PJ Harvey together with photographs by Murphy, this special event as part of the Southbank Centre’s London Literature Festival sees the stage tentatively divided into three. To the right, a lectern ready for spotlighted poetry recitals; centre stage, musical instruments to perform new material and, to the far right, two seats set for dialogue and narration.
On January 2 2014, PJ Harvey used her turn as guest editor of the Today programme to expose the realities of war, arms dealing and media complicity. The fury that followed showed how rare – and how threatening – such honesty is within Britain’s most Establishment broadcaster, says IAN SINCLAIR
RUTH AYLETT reviews two collections of outright political poetry
TOM STONE sings the praises of one of the oldest open-air festivals in Britain
The Bard commutes to work for the first time in 45 years


