CHRIS SEARLE welcomes a startling vision of contemporary Newport from a veteran photographer of the British working class
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Emma Hammond - [the view across the table leads not to the sea]
Well Versed is edited by JODY PORTER
ANGUS REID recommends a very unusual documentary: a love story between two disillusioned journalists
In verse and polemic, the bard points out that he is a poet and musician, not a political party
MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
GEOFF BOTTOMS recommends the unashamedly light-hearted escapism on offer in this stage version of the 1963 film
Emma Hammond
the view across the table leads not to the sea
as the multispiked flowers might suggest
but rather towards a piecemeal idea of future life
called ‘i have done it and have a dog called SNIP’.
he is a good dog but Boy does he blend
and run all over chasing a tale or 2
to tell at glitzy parties in his best ruffle.
Similar stories
In verse and polemic, the bard points out that he is a poet and musician, not a political party
ANDY CROFT welcomes the publication of an anthology of recent poems published by the Morning Star, and hopes it becomes an annual event
RUTH AYLETT reviews two collections of outright political poetry
by Widad Nabi