MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
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Chronicler of imminent chaos
Trevor Hoyle’s books may be set in futuristic or dystopian worlds but they tackle the big issues confronting us now, says ANDY HEDGECOCK
PAUL DONOVAN recommends the fine performances in this account of the pre-war meeting between the US president and the British king
TECLYN AROD relishes an intimate celebration of jazz improvisation that mixes local and national musicians
The missing sister, the vengeful WAG, cruise ship claustrophobia, and reanimated Avengers
Three great releases of lost concerts by Duke Ellington Orchestra, John Taylor & Stan Sulzman, and Joe Henderson
To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
WHEN the original version of Trevor Hoyle’s The Last Gasp was published in 1983, it read like a prophetic SF thriller.
Hoyle blended a taut near-future plot with an epic thought experiment to challenge complacency about the consequences of global pollution. He flung down a gauntlet to his readers, daring them to contemplate the kind of ecological apocalypse that might result from the relentless abuse of military might, technological power and greed.
At the time the book gained a cult readership. But it drew little critical attention from a media more interested in celebrity, fashion and the cold war.
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