PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
MICHAEL ROSEN is one of our best-loved writers for children. He’s the author and editor of over 140 books, including contemporary primary-school classics like We’re Going on a Bear Hunt, Mind Your Own Business, No Breathing in Class and Quick Let’s Get Out of Here.
If you’re a fan of Rosen’s children’s stories, you’ll enjoy the way the works in his new book of poems for grown-ups Don’t Mention the Children combine the silly and the sinister. Somewhere between Jacques Prevert, Ivor Cutler and Adrian Mitchell, they encapsulate the surrealism of everyday life.
Few poets writing today can move so effortlessly between the childish and the childlike. But this certainly does not mean that Rosen doesn’t have serious things to say.
As antisemitism grows, the labour movement must recommit to defence of minorities while navigating the complexities of Gaza and global politics, argues NICK WRIGHT
A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin
How can we claim to be human while our countries still support and defend the massacres in Palestine, asks HUGH LANNING
ANDY CROFT rallies poets to the impossible task of speaking truth to a tin-eared politician


