PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
When the Celtic Connections festival began in 1994 few would have predicted that from its relatively modest beginnings it would transform into the vibrant celebration of traditional Scottish music and international folk, roots and world music that it has undoubtedly become.
As well as showcasing some of the most talented performers in Scotland and internationally, it’s underpinned by an education programme which sees thousands of local schoolchildren attending free morning performances of live music and it fosters new young talent through its Young Tradition and New Voices concerts and an open stage competition.
Artistic director Donald Shaw suggests that for some parts of the world “music is the best hope of bringing people together,” and that’s no empty statement — this year acts are as international as they come, from Van Morrison to Congo’s Konono No 1.
New releases from Ninebarrow, Amit Dattani, and Lonan
WILL STONE is impressed by a tour de force rendition of three decades’ worth of orchestral chamber pop
STEVE JOHNSON relishes a celebration of the commonality of folk music and its links with the struggles of working people the world over
OLIVER SNELLING, a south London stonecarver and yeoman stonemason, relates how he is helping bring about a new festival next month


