PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
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Terrible triumph of ‘man who became death’
Gordon Parsons recommends a new play on the rise and fall of J Robert Oppenheimer, the so-called father of the atomic bomb
GEOFF BOTTOMS recommends the unashamedly light-hearted escapism on offer in this stage version of the 1963 film
Full of mysterious religious references and radical sound design, the Scottish duo’s new offering is candidate for album of the year, suggests SIMON DUFF
MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
PAUL DONOVAN recommends the fine performances in this account of the pre-war meeting between the US president and the British king
TECLYN AROD relishes an intimate celebration of jazz improvisation that mixes local and national musicians
Oppenheimer at The Swan Theatre, Stratford-Upon-Avon
5/5
J Robert Oppenheimer, the “father of the atomic bomb,” is reputed to have reacted to a 1960s play on his life by complaining that the writer had made a tragedy out of a “damned farce.”
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GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
GORDON PARSONS is disappointed by an unsubtle production of this comedy of upper middle class infidelity