DAVID YEARSLEY is fascinated by the account of four composers who transformed their experiences of the second world war and the Holocaust into deeply moving works of art
Blue Heart
Orange Tree Theatre, Richmond
4/5
IF EXHILARATING, anarchic and unsettling sound like your idea of a good 90 minutes of theatre, the double bill Blue Heart by Caryl Churchill will hit the spot.
The mounting comedy in both pieces — a co-production between the Orange Tree and the Tobacco Factory theatres — is the perfect accompaniment to the fragmented dramas which unfold.
GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem
KEN COCKBURN guides us through a survey of Chekov’s early short fiction, and the groundwork it laid for his later masterpieces
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play


