PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
4/5
THE PROLIFIC Simon Stephens’s latest offering tells the story of New York-based Dutch banker Willem who, on his brother Pauli’s demise, returns to Amsterdam to be with his family and to attend the funeral.
Shunning the parental home he opts for an impersonal hotel room where, over the course of seven days, he composes a series of letters to his dead brother.
WILL STONE enjoys a set by an artist too eclectic to be pigeonholed
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
RITA DI SANTO gives us a first look at some extraordinary new films that examine outsiders, migrants, belonging and social abuse
MARIA DUARTE recommends the creepy thrills of David Cronenburg’s provocative and macabre exploration of grief


