MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
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Style masks absent substance
Guy Ritchie fails, yet again, to give his cinematic touch any meaning, writes MARIA DUARTE
PAUL DONOVAN recommends the fine performances in this account of the pre-war meeting between the US president and the British king
TECLYN AROD relishes an intimate celebration of jazz improvisation that mixes local and national musicians
The missing sister, the vengeful WAG, cruise ship claustrophobia, and reanimated Avengers
Three great releases of lost concerts by Duke Ellington Orchestra, John Taylor & Stan Sulzman, and Joe Henderson
To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
The Man from U.N.C.L.E (12A)
Directed by Guy Ritchie
3/5
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DENNIS BROE enjoys the political edge of a series that unmasks British imperialism, resonates with the present and has been buried by Disney
The Star's critics ANGUS REID, MICHAL BONCZA and MARIA DUARTE review Hot Milk, An Ordinary Case, Heads Of State, and Jurassic World Rebirth