PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
Not songs of loyalty alone are these,
But songs of insurrection also,
For I am the sworn poet of every dauntless rebel the world over.
Walt Whitman
I see the dark-skinned bodies falling in the street as their ancestors fell before the
whip and steel, the last blood pooling, the last breath spitting.
I see the immigrant street vendor flashing his wallet to the cops,
shot so many times there are bullet holes in the soles of his feet.
I see the deaf woodcarver and his pocketknife, crossing the street
in front of a cop who yells, then fires. I see the drug raid, the wrong
door kicked in, the minister’s heart seizing up. I see the man hawking
a fistful of cigarettes, the cop’s chokehold that makes his wheezing
lungs stop wheezing forever. I am in the crowd, at the window,
kneeling beside the body left on the asphalt for hours, covered in a sheet.
I see the suicides: the conga player handcuffed for drumming on the subway, hanged in
the jail cell with his hands cuffed behind him; the suspect leaking
blood from his chest in the back seat of the squad car; the 300-pound boy
said to stampede barehanded into the bullets drilling his forehead.
BEN COWLES samples the many sonic and social therapies of Manchester Punk Festival 2026, and is ready again to smash capitalism
ALAN MORRISON recommends a consummate, heart-warming collection about a working-class upbringing in the industrial north-east
MATTHEW HAWKINS applauds a psychotherapist’s dissection of William Blake
BLANE SAVAGE recommends the display of nine previously unseen works by the Glaswegian artist, novelist and playwright


