MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
Cymbeline
The Royal Shakespeare Theatre,
Stratford-upon-Avon
2/5
SHAKESPEARE doesn’t make life easy for director or cast with this late play.
Incorporated in it is a kaleidoscope of styles and some of his most complex language and he almost challenges any company to find coherence in a play that George Bernard Shaw described as “stagey trash of the lowest melodramatic order.”
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
GORDON PARSONS is disappointed by an unsubtle production of this comedy of upper middle class infidelity


