CHRIS SEARLE welcomes a startling vision of contemporary Newport from a veteran photographer of the British working class
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Gale Burns - We Are at War
Edited by JODY PORTER
ANGUS REID recommends a very unusual documentary: a love story between two disillusioned journalists
In verse and polemic, the bard points out that he is a poet and musician, not a political party
MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
GEOFF BOTTOMS recommends the unashamedly light-hearted escapism on offer in this stage version of the 1963 film
We Are at War
Gale Burns
and now we know we always were. Slaves
to the appearance of things, fooled by the promise of permanence,
the accumulation of trappings, the celebration of this:
the first generation kept from battle, soft hands, suckled, suckling still.
But signs were all around: the mental patient consigned to weeks of sleep;
the silted air; suburban privet clipped to re-assure;
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In verse and polemic, the bard points out that he is a poet and musician, not a political party
JOHN GREEN is stirred by an ambitious art project that explores solidarity and the shared memory of occupation
Warming up for his Durham gig, the bard pays attention to the niceties of language
DAI O’BRIEN, one of the festival’s DeafZone co-ordinators explains