CHRIS SEARLE recommends a work of love and deep admiration for a great musician
Connie
Nicola Jackson
The countess stops in the doorway.
What plans and schemes are here
as pale light washes the raw-planked floor.
She presses the heels of her button-gloved hands
together, holds dust-moted air like a lily.
Room for the easel by the window,
The dressing case to go upstairs.
She pulls a brown overall from the dun valise;
then over her head with it to tab her two hips,
telling of just the one child.
MIRANDA RICHMOND relishes the gloriously liberated art of Roy Oxlade, and traces his method back to the thinking of David Bomberg, his acknowledged teacher
New releases from Kneecap, Sam Blasucci, and Juni Habel
With attacks on industry, healthcare and education intensifying, JAMSHID AHMADI warns of a deliberate drive to cripple Iran and calls for urgent global action
by Widad Nabi


