CHRIS SEARLE welcomes a startling vision of contemporary Newport from a veteran photographer of the British working class
Latest editorial
Two poems by Rowena Knight
Well Versed is edited by JODY PORTER
ANGUS REID recommends a very unusual documentary: a love story between two disillusioned journalists
In verse and polemic, the bard points out that he is a poet and musician, not a political party
MARIA DUARTE, JAMES WALSH and ANDY HEDGECOCK review The Invite, My Father’s Island, Nirvanna: the Band, the Show, the Movie, and Oh My Goodness!
PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
GEOFF BOTTOMS recommends the unashamedly light-hearted escapism on offer in this stage version of the 1963 film
Valuables
Rowena Knight
She used to be a woman
with a name that could be shared.
Now, she's a wallet, a laptop, a car.
She had no idea she was so valuable.
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ANDY CROFT welcomes the publication of an anthology of recent poems published by the Morning Star, and hopes it becomes an annual event
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WILL STONE is frustrated by a performance that chooses to garble the lyrics and drown the songs in reverb
WILL STONE relishes the chance to hear the Isle of Wight indie sensation in an intimate setting