PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
AS OF last autumn, Gareth Davies-Jones has been in residence at the North of England Institute of Mining and Mechanical Engineers in Newcastle Upon Tyne, where he’s been digging through the institute’s archives and collections for a unique songwriting project dubbed The Seam.
The result is the recently released album The Usual Quarterly Days and Davies-Jones is currently on the road touring songs from it around the north east.
He couldn’t have picked a better place to do his research than the mining institute, a cathedral to mining safety.
WILL STONE applauds a comprehensive survey of love in its many moods and musical forms
TONY BURKE revels in the publication of previously unreleased tracks by the great US folksinger
MIKE QUILLE applauds an excellent example of cultural democracy: making artworks which are a relevant, integral part of working-class lives


