MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
No Villain
Trafalgar Studios, London SW1
2/5
DESPITE winning the prestigious Avery Hopwood prize for No Villain as a 21-year-old, US playwright Arthur Miller never lived to to see his inaugural work on stage.
It’s taken a decade since his death for it to be finally produced and, on this evidence, that’s perhaps not surprising.
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship


