MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
I WAS amused by the recent viral photograph of a bookshop chalkboard reading: “Fiction … because real life is terrible” but the three books I’ve chosen as reads of the year have led me to reject its premise. All fiction, all enjoyable, but none providing an escape from the rigours of reality.
Discontent and wonder collide to astonishing effect in Claire Dean’s The Museum of Shadows and Reflections (Unsettling Wonder). Her first collection of short fiction is a visionary map of overlooked lives and erased communities, with some stories set in dying northern towns and others in the fading glamour of down-at-heel seaside resorts. Some characters explore strange emporia, others wander dreamlike vistas of beauty and menace. These tales of creation and transformation feature a dress made from stories, a splintering princess, sentient marionettes and a drowned village with a surreal afterlife.
Dean’s writing is subtle, supple and precise and her contemporary fairy tales are profound reflections on identity, alienation and loss.
KEN COCKBURN relishes the memoir of a translator, but wonders whether the autobiography underlying the impulse would make a better book
A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin
CARL DEATH introduces a new book which explores how African science fiction is addressing climate change
Timeloop murder, trad family MomBomb, Sicilian crime pages and Craven praise


