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Begging the question
GORDON PARSONS wonders whether a radical reinterpretation of Hamlet provides any new insights into its protagonist

Hamlet
The Royal ShakespeareTheatre
Stratford-upon-Avon
3/5

SET in some Caribbean state where voodoo mixes easily with modern military dictatorship, Simon Goodwin’s production of Hamlet is set far from the gloom of Denmark’s Elsinore.

Moving at a rate of knots, this trimmed-down version of Shakespeare’s longest and arguably darkest play runs for just over three hours and is full of colour and percussive music.

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