PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
Hamlet
The Royal ShakespeareTheatre
Stratford-upon-Avon
3/5
SET in some Caribbean state where voodoo mixes easily with modern military dictatorship, Simon Goodwin’s production of Hamlet is set far from the gloom of Denmark’s Elsinore.
Moving at a rate of knots, this trimmed-down version of Shakespeare’s longest and arguably darkest play runs for just over three hours and is full of colour and percussive music.
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
GORDON PARSONS is disappointed by an unsubtle production of this comedy of upper middle class infidelity


