PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
Queen Anne
The Swan Theatre
Stratford-upon-Avon
4/5
HELEN EDMUNDSON’S new play centres on what has been called “the most famous court intrigue in English history” and of all the monarchs who have been the stuff of so much history teaching Queen Anne — with the possible exception of assorted Georges — is perhaps the least well-known.
In seeking to redress that imbalance Edmundson, apart from scripting a fascinating domestic drama, provides a history lesson which highlights parallels with the present.
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
GORDON PARSONS is disappointed by an unsubtle production of this comedy of upper middle class infidelity


