PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
After Insidious and the deliciously chilling The Conjuring I had very high expectations for James Wan's latest horror offering.
Unfortunately these were dashed by this rather silly and unimaginative sequel which picks up exactly where the original left off.
Josh Lambert (Patrick Wilson) is completely possessed by an evil entity which is enjoying life in his new corporal form and the race is on to track down Josh's soul.
Through flashbacks we learn why the spirit targeted him as a boy.
Sadly this is a deeply disappointing run-of-the-mill haunted house sequel which relies on cliched horror devices for its shock value.
Maria Duarte
ANDY HEDGECOCK is astonished by a portrait of contemporary Greece, complete with political protest, organised crime and people trafficking, told from the point of view of — wait for it — runaway poultry
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review The Six Billion Dollar Man, Avatar: Fire and Ash, Goodbye June, and Super Elfkins
JOHN GREEN recommends an Argentinian film classic on re-release - a deliciously cynical tale of swindling and double-cross
The Star's critics ANGUS REID, MICHAL BONCZA and MARIA DUARTE review Hot Milk, An Ordinary Case, Heads Of State, and Jurassic World Rebirth


