PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
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History repeats itself
JOHN GREEN is engrossed by a savage exposure of Tory sex scandals and political backstabbing, written a century ago, which provokes a disquieting sense of deja vu
GEOFF BOTTOMS recommends the unashamedly light-hearted escapism on offer in this stage version of the 1963 film
Full of mysterious religious references and radical sound design, the Scottish duo’s new offering is candidate for album of the year, suggests SIMON DUFF
MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
PAUL DONOVAN recommends the fine performances in this account of the pre-war meeting between the US president and the British king
TECLYN AROD relishes an intimate celebration of jazz improvisation that mixes local and national musicians
Waste
National Theatre, London SE1
5/5
IT’S rare to see a theatrical production where everything works like well-oiled clockwork, without a single weak link.
That’s certainly true of this production of Harley Granville Barker’s Waste.
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GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth
![DEFIANT: Dan Daw and Christopher Owen in The Dan Daw Show [Pic: Jess Shurte]](https://morningstaronline.co.uk/sites/default/files/styles/desktop/public/2025-08/crip%20joy%20web%281%29.jpg.webp?itok=OcQcfsb0)
Given the tawdry push and pull around disability benefits, MATTHEW HAWKINS relishes Dan Daw’s defiant celebration of body and sexuality