PAUL DONOVAN is chilled by the contemporary resonance of Harper Lee’s coming of age tale amidst racism and white supremacy in this excellent production
RICHARD BRINSLEY SHERIDAN’S scintillating 1777 satire on the ocean of malicious gossip that apparently engulfed polite society of the time was unfairly described as two or three personal anecdotes “tacked together.”
But, as this production demonstrates, the theatrical triumph which is The School for Scandal is very much in the “tacking.”
Director Andrew Hilton’s Shakespeare at the Tobacco Factory company, in a rare “escape” from the Bard, does not need to labour lines such as “In my day bankers knew their place” or, from a brilliantly modernised epilogue, “In Britain we breed scandal in our air.”
GEOFF BOTTOMS recommends an inspiring, political and bittersweet account of the munitions factory workers who are the fore-runners of the modern women’s game
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
MAYER WAKEFIELD has reservations about a two-handed theatrical homage to jazz’s most mercurial musician
GORDON PARSONS is disappointed by an unsubtle production of this comedy of upper middle class infidelity


