MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
Cuttin’ It
Young Vic, London SE1
4/5
CHARLENE JAMES’S striking two-hander about female genital mutilation in Britain pulls absolutely no punches.
Through the stories of two young women, James affectingly and frankly charts the effects that FGM has on their lives.
GEOFF BOTTOMS recommends the unashamedly light-hearted escapism on offer in this stage version of the 1963 film
MARY CONWAY is spellbound by superb performances in Arthur Miller’s study of the social and personal stress brought about by Nazi Germany’s Kristallnacht
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today


