MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
Comus
Sam Wanamaker Playhouse, London SE1
4/5
“MILTON thou shouldst be living at this hour.” But the author of the 1634 Comus, a “masque in honour of chastity,” might not agree with William Wordsworth’s encomium if he could see Lucy Bailey’s treatment of his 1,000-line dramatised lyrical poem, originally presented to celebrate the appointment of the Earl of Bridgewater as Lord President of Wales.
Masques, largely court entertainments distanced from the rough and tumble of the theatre world of the time, were certainly not noted for their comic potential. That’s not the case here.
ANDY HEDGECOCK is astonished by a portrait of contemporary Greece, complete with political protest, organised crime and people trafficking, told from the point of view of — wait for it — runaway poultry
MARY CONWAY is spellbound by superb performances in Arthur Miller’s study of the social and personal stress brought about by Nazi Germany’s Kristallnacht
STEPHEN ARNELL wonders at the family resemblance between former prince Andrew and his great-uncle ‘Dickie’
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship


