DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
HE’S truly one of the great, if also greatly underestimated, tenor saxophonists in the century of jazz. Ricky Ford, now a septuagenarian, has spent much of his musical life living outside the US in France.
His huge achievement as a 20-year-old, of being invited to join the Duke Ellington Orchestra to fill the vacant chair of Duke’s recently departed legendary tenorist Paul Gonsalves, happened shortly after the maestro’s own death, when his trumpeter son Mercer Ellington inherited the leadership of the orchestra.
Born in Boston, Massachusetts, in 1954, Ford grew up in a professional household. “My father was an attorney-at-law, my mother was a nuclear medicine specialist,” he told me. “At 12 I studied drums and played melodica. I started to play saxophone in 1968 and I never looked back. After a few gigs at Wally’s Paradise in Boston, I joined Mercer Ellington in late 1974.”
CHRIS SEARLE urges you to listen to two new albums by the US Indian pianist VIJAY IYER
CHRIS SEARLE speaks to US saxophonist CAROLINE KRAABEL
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
As part of the 2025 London Jazz Festival Rich Mix offered intriguing sessions titled 'Persian Jazz,' CHRIS SEARLE was there


