DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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‘We are looking at spiritual affinities and how these liberate and at the same time transcend the political’
CHRIS SEARLE speaks to South African pianist NDUDUZO MAKHATINI
Nduduzo Makhathini performing in Amsterdam on 28 October 2021
[Dirk Neven]
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
NDUDUZO MAKHATINI is an extraordinary pianist. Born in Umgungundlovu, Pietermaritzburg, South Africa in 1982, his musical universe carries the spirits of his Zulu ancestry, engendered through his piano studies at Durban University of Technology and his doctoral research at the University of Stellenbosch.
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