DAVID YEARSLEY is fascinated by the account of four composers who transformed their experiences of the second world war and the Holocaust into deeply moving works of art
The Mars Room
by Rachel Kushner
(Jonathan Cape, £16.99)
IN HER previous work Rachel Kushner's focus was on colonial exploitation and the fraying of Fordism and now, in The Mars Room, she turns a novelist's eye on the carceral capitalism of the early 21st century United States.
Unlike the dystopian turn of much US writing in the Trump era, best crystallised in the success of Margaret Atwood’s The Handmaid’s Tale, Kushner’s novel serves as a rejoinder to this trend. It rudely reminds us that dystopia is here already.
ANDY HEDGECOCK is astonished by a portrait of contemporary Greece, complete with political protest, organised crime and people trafficking, told from the point of view of — wait for it — runaway poultry
SIMON PARSONS applauds an artist who rescues and rehumanises stories of women, the victims of violence, from a feminist perspective
JULIA THOMAS unpicks the mental processes that explain why book-to-film adaptations so often disappoint
CARL DEATH introduces a new book which explores how African science fiction is addressing climate change


