STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
20/20: Chris Killip/Graham Smith
Augusta Edwards Fine Art
Chris Killip, retrospective
The Photographers' Gallery
Chris Killip 1946-2020, Thames & Hudson, £50
LITTLE do many realise, when they visit the affluent towns and villages of south-east England or London’s crowded shopping centres that they are experiencing a country very different from the one they would find in the north of our “sceptred isle.”
KEVIN DONNELLY and MARIA DUARTE review Shoot the People, The Last One For The Road, Rosebush Pruning, and Moana
CHRIS SEARLE welcomes a startling vision of contemporary Newport from a veteran photographer of the British working class
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
KEVIN DONNELLY accepts the invitation to think speculatively in contemplation of representations of people of African descent in our cultural heritage


