When the ravages of Alzheimer’s leave an elderly woman marooned in painful memories of October 1950, her grandchild comes up with a creative strategy.
BLUEPRINT MEDEA combines two stories of immense consequence, the first being the classic Greek myth of Medea, immortalised through Euripides’s dramatic masterpiece.
The second is anything but a myth — the real and ceaseless battle by the Kurds to be recognised as an independent nation and to command their own territory.
Playwright Julia Pascal, who also directs, creates a contemporary Medea in the form of a Kurdish woman who is both exploited and oppressed while also fighting for her people and bravely asserting her noble origins.
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth
MARY CONWAY applauds the success of Beth Steel’s bitter-sweet state-of-the-nation play
GORDON PARSONS is disappointed by an unsubtle production of this comedy of upper middle class infidelity
MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play


