MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
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Book Review: Working Aesthetics: Labour, Art and Capitalism
Danielle Child's book tackles the neoliberal penetration of artistic production from a Marxist perspective
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
KENNY MacASKILL relishes a fictionalised account of the life and death of the principled Irish anti-colonialist, executed for betraying his English imperial masters
FIONA O’CONNOR admires an ambitious first novel that loosens South Africa’s rainbow collective to examine the racial tensions within
Aussie mining corporation murder, Liverpudlian ex-cop amnesia, a naive vigilante tries to reset capitalism, and the riddle of the dead psychoanalyst
SYLVIA HIKINS is persuaded by an entertaining play that the true miracle of Lourdes would be for attitudes toward disability to change
Working Aesthetics: Labour, Art and Capitalism
by Danielle Child
(Bloomsbury, £21.99)
UNUSUALLY for a young art historian, Danielle Child bases her discussion of the relationship between contemporary art, labour and capitalism on the “Marxian” ideology that art, as part of the superstructure, is defined by its economic base.
Focusing mostly on US and British art, where neoliberalism has been strongest, she argues that its managerialist, fragmented, individualised and precarious working models are mirrored by new artistic practices since the 1990s.
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The creative imagination is a weapon against barbarism, writes KENNY COYLE, who is a keynote speaker at the Manifesto Press conference, Art in the Age of Degenerative Capitalism, tomorrow at the Marx Memorial Library & Workers School in London