DAVID YEARSLEY is fascinated by the account of four composers who transformed their experiences of the second world war and the Holocaust into deeply moving works of art
IN THE course of my work as a poet, I regularly meet those strange creatures, the literary liberals. They ascribe to themselves every progressive and humane value, while at the same time apparently finding no place in their imaginations for even the possibility of a world not run in the interests of Jeff Bezos, Elon Musk and Apple Inc.
They are the sort of people who, if they didn’t necessarily agree with her, would at least have understood where artist Tracy Emin was coming from when she called David Cameron’s coalition of 2010-15 “the best government... that we’ve ever had”.
Politically, Emin may be an ignoramus. But her incontinent mouth is useful in that it makes her spell out what others in the arts are only brave enough to occasionally think.
CHRIS MOSS joins the hunt in Argentina for the works of Poland’s most enigmatic exile
Gisele Pelicot said ‘shame must change sides.’ We may think we agree, but, argues LOUISE RAW, society still has some way to go
Two inspring books — that’s your New Year’s musing from me on January 2 2026
ANDY CROFT rallies poets to the impossible task of speaking truth to a tin-eared politician


