DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
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The conundrums of processing grief
PETER MASON recommends a play which eloquently addresses the emotional consequences of an unexpected death in the family
STRONG PERFORMANCE: (L to R) Ruby Barker as Imani, Suzette Llewellyn as Shirley and Wil Johnson as Maxwell
[Jahvin Morgan Photography]
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
ANDY HEDGECOCK, MARIA DUARTE and ANGUS REID review Synthetic Sincerity, Our Hero, Balthazar, Heartstopper Forever, and A Year In London
The bard invites readers to a gig, raps for Clacton, and lays out the Burnham-Hurzeler conundrum
RON JACOBS recommends an important book that enhances the oppositional theories put forth by Fanon and, in doing so, remakes psychology itself
Running with Lions
Lyric Hammersmith, London
SAD but uplifting, Running with Lions is the story of a British-Caribbean family struggling to come to terms with the death of Joshua — son of Maxwell and Shirley, younger brother of Gloria and uncle of Imani, Gloria’s 16-year-old daughter.
Joshua was killed as a young man in a hit-and-run accident many years back, yet no-one in the household has been able to process their grief.
Gloria has had several breakdowns, Shirley shuts down all mention of her son, and Maxwell, a preacher, is secretly paralysed by the idea that God could have done such a thing.
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PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying
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SIMON PARSONS is beguiled by a dream-like exploration of the memories of a childhood in Hong Kong