MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
DOMINIQUE DILLON de BYINGTON plays plaintive piano pop for the autumn season.
The Brazilian-born, Berlin-based, artist casts a demure presence as she slips out from behind a black curtain to sit at a single grand piano at the centre of the stage.
Uttering the odd quiet “thank you” in-between her bleak ballads, Dillon has a mournful beauty to her voice that is spellbinding to listen to.
WILL STONE is frustrated by a performance that chooses to garble the lyrics and drown the songs in reverb
WILL STONE is impressed by a tour de force rendition of three decades’ worth of orchestral chamber pop
WILL STONE applauds a comprehensive survey of love in its many moods and musical forms
DAVID NICHOLSON is thrilled – and shocked – by an opera that seethes and sizzles with passion and the depraved use of power


