Woman at War (12A)
Directed by Benedikt Erlingsson
 

WITH a deceptive lightness of touch, co-writer and director Benedikt Erlingsson deals memorably with the serious threat to the environment in Woman at War.

Set in Iceland, it centres on 50-year-old Halla (Halldora Geirhardsdottir) who declares a one-woman war on the local aluminium industry in a bid to protect her beloved highlands.

She starts off small-scale by causing power cuts but as she grows bolder she slowly progresses to industrial sabotage, which brings the negotiations between the Icelandic government and the corporation building an aluminium smelter to a halt.

Halla is superbly played by Geirhardsdottir — she also plays her hippy twin sister — and she is no stereotypical environmental activist. She’s a normal, above-suspicion middle-class woman who during the day is in charge of a choir.

But during her time off she is a passionate activist who’s inspired by Gandhi and Mandela in the planning and execution of her next assault.

In the meantime, the authorities keep apprehending an angry young Spanish tourist who looks the part and is always in the wrong place at the wrong time — a highly amusing running gag through this very quirky film.

The action is punctuated by a dramatic soundtrack which, as the camera pans out, is seen to be provided by a three-man band. They follow Halla around on her exploits, accompanied by three female singers in what’s presumably traditional Icelandic dress who act as a kind of Greek chorus.

Truly bizarre, but they add intrigue and whimsy to this enthralling eco thriller whose plot thickens when Halla learns that her application to adopt a child years earlier has been successful and that there is a four-year-old girl waiting for her in the Ukraine, thus dividing her loyalties.

Erlingsson delivers a surreal and unforgettable film on the environment which ends on a powerful and haunting note. Well worth seeing.