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His darkroom materials
JOHN GREEN marvels at the lifetime achievement of a master photographer of north-east England
(L to R) Mark Dewse a burner at Smith’ Dock in 1986; Cote Hill Island, equinox flood tide autumn 1974 [Ian Macdonald]

Exhibition
Ian Macdonald: Process, Environment & The Print
Flow Photographic Gallery, London NW10

 

RECENTLY we have had a series of excellent photographic exhibitions, showcasing the work of photographers from north-east England who have documented the deindustrialisation and the “otherness” of that part of the world; its people neglected by successive Westminster governments.

This is hardly surprising as such islands of neglect, with their stark, derelict industrial sites and populations clinging on despite poverty and unemployment, provide ample subject matter for documentary photographers.

Ian Macdonald has been recording life, industry (and its decline) in north-east England since the 1970s, working alongside other notable photographers associated with the ground-breaking Amber collective.

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