Ron's rages are sincere and — according to his wife — healthily cathartic. But can these splenetic outbursts loosen the grip of capitalism at its most monstrous?
UNSURPISINGLY, given its title, loneliness is the key theme running throughout Frantic Assembly’s I Think We Are Alone, a production celebrating the physical-theatre group’s 25th anniversary.
And it’s a relentlessly mean and depressing world which is its focus. Cabbie Graham is dealing with the news that his wife Bex is dying of cancer while Josie, struggling to mourn the loss of her dad and her beloved dog Queenie, is desperately missing her son Manny — one of the few state-educated black students studying at Cambridge University.
Estranged sisters Clare and Ange can’t bring themselves to talk to each other because they’re both hiding the same dark and disturbing secret about their past which, despite their efforts, they can’t suppress.
MARY CONWAY is spellbound by superb performances in Arthur Miller’s study of the social and personal stress brought about by Nazi Germany’s Kristallnacht
PETER MASON applauds a stage version of Le Carre’s novel that questions what ordinary people have to gain from high-level governmental spying
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
MAYER WAKEFIELD is gripped by a production dives rapidly from champagne-quaffing slick to fraying motormouth


