MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
YOU wait ages for a Lisa Holdsworth play about Andrea Dunbar to come along, then two come at once. Her stage version of Adelle Stripe’s novel about the writer, Black Teeth and a Brilliant Smile, opens in Bradford later this month.
It follows Unsung, an ensemble piece about inspirational but under-imagined women. The screenwriter and playwright worked on it for over two years, persuaded by Alice Barber and Elvi Piper – “fresh-faced new voices in theatre in Leeds,” according to Holdsworth — to develop a play featuring real-life women selected by members of the cast.
Buttershaw actress Kat Rose-Martin chose Dunbar, whose gritty 1982 comedy Rita, Sue and Bob Too, based on the Yorkshire housing estate where she lived, brought her great acclaim. A young writer of huge promise, she tragically died of a brain haemorrhage in 1990 at the age of 29.
KEN COCKBURN guides us through a survey of Chekov’s early short fiction, and the groundwork it laid for his later masterpieces
CWU leader DAVE WARD tells Ben Chacko a strategy to unite workers on class lines is needed – and sectoral collective bargaining must be at its heart
Governing body says officials acted within laws and player welfare remains top priority
Incoming Usdaw general secretary JOANNE THOMAS talks to Ben Chacko about workers’ rights, Labour and how to arrest the decline of the high street


