New releases from Laura Veirs, The Waterboys, and Yard Act
AS A jazz lover and fanatical cricketer who played his last match two years ago at the age of 76, I have often mused on times when the two pursuits seem to have been in sync with each other.
Was it when Jim Laker’s 19 wickets at Old Trafford in 1956 — with Australian batsmen walking out to the wicket and back to the pavilion in repeated misery — created an Aussie Blues and Tubby Hayes, Ronnie Scott and their friends recorded the joyous Laker’s Day at London’s Marquee Club?
Or when Gordon Greenidge’s double century and his fantastic square cutting at Lord’s in 1984 rose out of the match like a joyous stomp to win victory for the West Indies?
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
CHRIS SEARLE recommends a new album featuring Pat Thomas and Ahmed, and marvels at the tempestuous power of a live performance
CHRIS SEARLE speaks to Filipino-US saxophonist JON IRABAGON about the threat of AI in the time of Musk and Trump, and how an artist can respond
As part of the 2025 London Jazz Festival Rich Mix offered intriguing sessions titled 'Persian Jazz,' CHRIS SEARLE was there


