MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
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Keith Tippett and Dartington Improvising Trio, Vortex London
Brilliant sense of adventure and invention from jazz veterans
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
KENNY MacASKILL relishes a fictionalised account of the life and death of the principled Irish anti-colonialist, executed for betraying his English imperial masters
FIONA O’CONNOR admires an ambitious first novel that loosens South Africa’s rainbow collective to examine the racial tensions within
Aussie mining corporation murder, Liverpudlian ex-cop amnesia, a naive vigilante tries to reset capitalism, and the riddle of the dead psychoanalyst
SYLVIA HIKINS is persuaded by an entertaining play that the true miracle of Lourdes would be for attitudes toward disability to change
AFTER a succession of serious health ailments and for the first time in over a year, one of jazz’s great virtuoso pianists, veteran Keith Tippett performs again at an old and beloved haunt.
Virtuoso: Keith Tippett (Pic: Bohdan Warchomij)
He’s part of the Dartington Improvising Trio with his old saxophone confrere Paul Dunmall and the ever-innovative wordless voice of Julie Tippetts — the Julie Driscoll of Brian Auger’s Trinity in the 1960s and This Wheels on Fire fame.
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