MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
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We must not let the ghouls in government take the arts away from us
The Tory slash-and-burn approach to the arts poses deathly threat to some of the most revered institutions in this country
Apartment House, at Cafe Oto, play Femenine by Julius Eastman
[Steve Bowbrick/flickr/CC]
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
KENNY MacASKILL relishes a fictionalised account of the life and death of the principled Irish anti-colonialist, executed for betraying his English imperial masters
FIONA O’CONNOR admires an ambitious first novel that loosens South Africa’s rainbow collective to examine the racial tensions within
Aussie mining corporation murder, Liverpudlian ex-cop amnesia, a naive vigilante tries to reset capitalism, and the riddle of the dead psychoanalyst
SYLVIA HIKINS is persuaded by an entertaining play that the true miracle of Lourdes would be for attitudes toward disability to change
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ON November 4, the Arts Council England announced which arts entities are welcomed to apply to the National Portfolio Organisations (NPO) programme.
For those unfamiliar with arts funding in Britain, or the significance of the NPO programme – the Arts Council England, Arts Council Wales and Creative Scotland have a support structure which grants “deserving” organisations sustained funding for a period of time longer than other funding streams.
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