MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
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Sad glimpses of an era gone by
Bleak documentation of the remnants of the Soviet period is made soulless by an absence of human beings, writes JOHN GREEN
(L to R) Worker and Kolkhoz Woman sculpture by Vera Mukhina, 1937, Moscow; abandoned office for the construction of the Nadezhda (Hope) factory in Norilsk, Russia; Shaybale housing estate, built in 1974, Novokuznetsk Russia Built in 1974
[Arseniy Kotov]
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
KENNY MacASKILL relishes a fictionalised account of the life and death of the principled Irish anti-colonialist, executed for betraying his English imperial masters
FIONA O’CONNOR admires an ambitious first novel that loosens South Africa’s rainbow collective to examine the racial tensions within
Aussie mining corporation murder, Liverpudlian ex-cop amnesia, a naive vigilante tries to reset capitalism, and the riddle of the dead psychoanalyst
SYLVIA HIKINS is persuaded by an entertaining play that the true miracle of Lourdes would be for attitudes toward disability to change
Soviet Seasons
By Arseniy Kotov
Fuel Design & Publishing
£24.34
THIS is the follow-up volume to Kotov’s debut Soviet Cities. It is an odd collection of photos, all in colour, featuring Soviet-era urban landscapes of housing estates and industrial sites, interspersed with murals, mosaics and monumental sculptures, many in a state of semi-dereliction. He covers four areas of the post-Soviet republics – Siberia, Ukraine, European Russia and the Caucasus.
Each area is separated incongruously by season, but you would be hard-put to guess in which season any one of the photographs was taken, as they are all drained of real colour, mostly sepia-toned, taken at dusk, night-time or under grey skies. The viewer is confronted with almost identical images of densely packed, faceless housing blocks, seemingly dumped into the landscapes.
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