MARIA DUARTE recommends the true story of the remarkable woman who sued Donald Trump for sexual assault not once, but twice
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Tullio Crali: A Futurist Life, Estorick Collection of Modern Italian Art London
LYRICAL: (Left) Jonathan Monoplane, 1988 and (right) Lights at Sunset in Ostia, 1930
![E Jean Carroll [Pic: Courtesy of Dogwoof]](https://morningstaronline.co.uk/sites/default/files/styles/desktop/public/2026-07/AskEJean_1.jpeg.webp?itok=v-N35HPp)
KENNY MacASKILL is disappointed by a polemical, rather than factual, account of the Lone Star State and its political path since the civil war
PAUL DONOVAN is fascinated by the lives of Charles and Mary Bagot, and the insight this biography shines on the morals of pre-Victorian society
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy
STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
MIK SABIERS revels in a band that ploughs an idiosyncratic furrow of expletive laden, guitar-driven alt rock
FUTURISM was not just a school of painting but an attitude to life itself.
Reflecting the movement’s enthusiasm for the modern world, the powerful imagery in the work of Tullio Crali (1910-2000) embraced technology and the machine as key sources of creative inspiration.
His work focused on the visual and sensory drama of flight and is most closely associated with the genre of Futurist “aeropainting” during the inter-war years.
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