MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
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Womad 2022: Flamboyant, vibrant and carnivalesque
WILL STONE is engulfed by the magnificence of the returning festival
STALWARTS: The Gilberto Gil tribe in full swing
[Borkowski Arts/Womad]
PAUL DONOVAN recommends the fine performances in this account of the pre-war meeting between the US president and the British king
TECLYN AROD relishes an intimate celebration of jazz improvisation that mixes local and national musicians
The missing sister, the vengeful WAG, cruise ship claustrophobia, and reanimated Avengers
Three great releases of lost concerts by Duke Ellington Orchestra, John Taylor & Stan Sulzman, and Joe Henderson
To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
WOMAD
Charlton Park, Wiltshire
THERE is possibly no other festival as flamboyant, vibrant and carnivalesque as Womad – the World of Music And Dance celebrating its 40th year after a two-year break due to you know what.
Every nook and cranny has something to explore, enjoy and be inspired by: whether that might be seeing Brazilian icon Gilberto Gil playing an unforgettable set joined by 14 members of his family, including his five-year-old great-grandson, or stumbling across Luke Jerram’s awe-inspiring giant moon installation located at a mysterious “secret forest” that nobody is quite sure where to find.
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