MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
Latest editorial
Youthful determination
Lise Leplat Prudhomme excels in her second outing as the Maid of Orleans, says MARIA DUARTE
Lise Leplat Prudhomme as Joan of Arc
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
KENNY MacASKILL relishes a fictionalised account of the life and death of the principled Irish anti-colonialist, executed for betraying his English imperial masters
FIONA O’CONNOR admires an ambitious first novel that loosens South Africa’s rainbow collective to examine the racial tensions within
Aussie mining corporation murder, Liverpudlian ex-cop amnesia, a naive vigilante tries to reset capitalism, and the riddle of the dead psychoanalyst
SYLVIA HIKINS is persuaded by an entertaining play that the true miracle of Lourdes would be for attitudes toward disability to change
Joan of Arc
Directed by Bruno Dumont
WHAT is it about Joan of Arc that instils such passion and obsession?
Hollywood legend Ingrid Bergman, apparently obsessed with “the Maid of Orleans,” played her both on stage and screen twice, while French film-maker Bruno Dumont returns with this, a sequel to Jeannette: The Childhood of Joan of Arc – which explored Joan at the age of eight through song and music.
Similar stories
LEO BOIX, ANGUS REID and MARIA DUARTE review Night Stage, Two Women, Kim Novak’s Vertigo, and Fuze
MARIA DUARTE and ANGUS REID review Friendship, Four Letters of Love, Tin Soldier and The Ballad of Suzanne Cesaire
The Star's critics ANGUS REID, MICHAL BONCZA and MARIA DUARTE review Hot Milk, An Ordinary Case, Heads Of State, and Jurassic World Rebirth
MARIA DUARTE recommends the creepy thrills of David Cronenburg’s provocative and macabre exploration of grief