MARY CONWAY revels in a powerful reminder that human lives are not defined by physical perfection
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SIMON DUFF is transported by the sweetly seductive tones of experimental guitarist Pat Metheny
Pat Metheny plays the Barbican
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PAUL DONOVAN recommends the fine performances in this account of the pre-war meeting between the US president and the British king
TECLYN AROD relishes an intimate celebration of jazz improvisation that mixes local and national musicians
The missing sister, the vengeful WAG, cruise ship claustrophobia, and reanimated Avengers
Three great releases of lost concerts by Duke Ellington Orchestra, John Taylor & Stan Sulzman, and Joe Henderson
To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
Pat Metheny
EFG London Jazz Festival, Barbican
PAT METHENY’s illustrious career and pioneering sonic vision has given him a unique perspective on how to push boundaries and innovate.
From his work playing in traditional formats — solo, in duets, trios, quartets and various large ensembles including the Pat Metheny Group — to writing and producing an array of milestone albums, singles and soundtrack work, his urge to investigate what might be possible has been at the forefront of his thinking.
His latest album MoonDial is a solo recording using a baritone nylon string acoustic guitar specially made by Linda Manzer, one of the world finest luthiers.
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