STEPHANIE BROWN draws attention to the hidden labour of the female embroiderers, and how a 19th century replica made no such error
Othello
The Globe
21 New Globe Walk
London SE1
When The Globe announced the cast of its latest production of Othello, I admit to wondering whether I had signed up for standing room at the Rylance-Holland Show.
With two such beloved and celebrated leads — each bringing with him an army of devoted admirers — I imagined a sort of Shakespearean Clash of the Titans. What I saw was an artfully pared-down production which does intelligent and heartfelt work in service of a good story.
FIONA O’CONNOR questions the achievement of this year’s Orwell prize winner for political fiction
LEO BOIX, ANGUS REID and MARIA DUARTE review Night Stage, Two Women, Kim Novak’s Vertigo, and Fuze
RUTH AYLETT reviews two collections of outright political poetry
DAVID NICHOLSON is thrilled – and shocked – by an opera that seethes and sizzles with passion and the depraved use of power


